Predictor (the solution between two possibilities), 1998. Lambda print, 105 x 130 cm Continue reading Predictor (1998) →
Post-Production Blues, 1998. Fabric, silk stuffing, polystyrene beads, wool, helium, balloons, approx. 600 x 400 x 400 cm Continue reading Post-Production Blues (1998) →
Love Will Tear Us Apart, Again, 1998. Automotive acrylic enamel, fuel tank lids, 130 x 395 x 5 cm Continue reading Love Will Tear Us Apart, Again (1998) →
The Bride (stripped bare by her bachelors, even), 1998. Multi-channel video installation. Video (Betacam SP/VHS), 90min Continue reading The Bride (1998) →
Absurd Trinity (God in a Little Alcove), 1998. Inkjet print on acrylic canvas, 200 x 127cm Continue reading Absurd Trinity (1998) →
A Carcass (Yellow Stop Sign), 1997. Colour print mounted on wood, 135 x 100 cm Continue reading A Carcass (1997) →
Exchange, 1996. Coloured paper and gel, 33 x 23 cm Continue reading Exchange (1996) →
Lovesong, 1996. Fuel tank lids, automotive enamels, printed colour code, dimensions variable. (Code 40 x 30 cm). Continue reading Lovesong (1996) →
Trial Separation, 1995. Glass, acrylic, metal, gravel, power filter, heaters, fluorescent lamps, peat, piranha, 167 x 102 x 147 cm. 5th İstanbul Biennial, 1997
Trial Separation, 1995. Glass, acrylic, metal, gravel, power filter, heaters, fluorescent lamps, peat, piranha, 167 x 102 x 147 cm. 5th İstanbul Biennial, 1997
Trial Separation, 1995. Glass, acrylic, metal, gravel, power filter, heaters, fluorescent lamps, peat, piranha, 167 x 102 x 147 cm. 5th İstanbul Biennial, 1997
Continue reading Trial Separation (1995) →
Tipping the Scale, 1995. Colour print, 70 x 50 cm Continue reading Tipping the Scale (1995) →
Personal scales (still-life), 1994. Bathroom scales, glass, 90 x 190 x 45 cm Continue reading Personal Scales (1994) →
Charlotte is gradually establishing her own group of friends, 1994. Photocopy on paper, 21 x 29.7 cm Continue reading Charlotte is gradually (1994) →
