Bees in the Old Tidemill Wildlife Garden. Photo Sophia Kosmaoglou.

Seasons in the Sun

[caption id=attachment_3517 align=alignleft width=350] Bees in the Old Tidemill Wildlife Garden, Deptford.[/caption] [caption id=attachment_3520

UK Commons Assembly, organised by Public Works and Commons Rising. Tate Modern, 20 July 2018. Photo Darshana Vora.

School of Civic Action

[caption id=attachment_3472 align=alignright width=350] UK Commons Assembly, organised by Public Works and Commons Rising.

ART&CRITIQUE workshop, UK Commons Assembly. Tate Modern, 20 Jul 2018. Photo Darshana Vora.

UK Commons Assembly Report

By Darshana Vora [caption id=attachment_3472 align=alignright width=350] UK Commons Assembly, organised by Public Works and

Group discussion on art and gentrification in the Old Tidemill Garden, Reginald Road. Photo by Ruth Gilburt.

Invitation to a meeting

[caption id=attachment_3325 align=alignleft width=350] Derrida's Exquisite Corpse, BOOKCLUB#27, 11 May 2018 at Larc.[/caption] [caption

Nicolas Copernicus (1543) Heliocentrism. De revolutionibus Orbium coelestium, libri IV (Revolutions of the heavenly orbs). Nuremberg.

Structure & Deconstruction

[caption id=attachment_2920 align=alignright width=350] Nicolas Copernicus [1543] Heliocentrism. De revolutionibus Orbium coelestium, libri IV

Gerhard Richter [1963] Party. Oil, nails, cord on canvas and newspaper, 150 x 182cm.

Capitalist Realism

[caption id=attachment_2750 align=alignright width=350] Gerhard Richter [1963] Party. Oil, nails, cord on canvas and

Enrico Baj [1972] The Funeral of the Anarchist Pinelli. Textured offset colour print, 75 x 68 cm. Edition 200.

The Crisis of Critique

The Crisis of Critique [caption id=attachment_2738 align=alignright width=348] George Orwell (1956). 1984. Harmondsworth: Penguin, p.

Patrick Mimran [2004] Billboard Project, New York. Photo Sophia Kosmaoglou. Critical Theory in Contemporary Art Practice [ART&CRITIQUE] COURSE

Open Call: Fee-waiver Award

Critical Theory in Contemporary Art Practice Fee-waiver Award Deadline Friday, 23 February 2018 at 5pm We’re

First Alternative Education Open-Day. Oct 2017, SET Space, London. Photo Maria Christoforatou.

Happy New Year!

Thanks to everybody who contributed to another venturesome year of free, autonomous, volunteer-run and

[SYMPOSIUM]#23 Adam Curtis: HyperNormalisation. Flyer by Neil Lamont.

Negation / Consumption

[caption id=attachment_2093 align=alignright width=350] J.R. Eyerman [1952] Audience at the opening-night screening of Bwana

Benedict Drew [2017] The Trickle-Down Syndrome. Installation view. Whitechapel Gallery, London. Photo Sophia Kosmaoglou.

The Trickle-Down Syndrome

The Trickle-Down Syndrome [caption id=attachment_1700 align=alignleft width=350] Benedict Drew [2017] The Trickle-Down Syndrome. Installation view.

[SYMPOSIUM] #21 Adorno: Commitment. Flyer by Nat Pimlott.

Commitment / Autonomy

[caption id=attachment_1958 align=alignright width=350] BOOKCLUB#20 Foucault: Of Other Spaces on Unison moored in Limehouse,

[SYMPOSIUM] BOOK CLUB #20 Foucault: Of Other Spaces. Flyer by Dasha Loyko.

Heterotopias

[caption id=attachment_1852 align=alignleft width=350] Wade Guyton: Das New Yorker Atelier, Abridged. Sep 2017 -

[ARTCRAWL]#13. Flyer by Mandy Wong.

Autumn Rituals

After a packed season of events and shared activities with alternative art schools we

Emma, Cristina, Maria and Michaela leaving the Old Waterworks, Southend-on-Sea.

Alternative Art Schools

[caption id=attachment_1573 align=alignleft width=350] Louise Ashcroft [2017] All My Lives. Arebyte LASER, 17 July

[ART&CRITIQUE] Open Meeting, 12 May 2017. Photo by Penelope Kupfer.

Self-organisation

The bad news is that our application for the MayDay Rooms residency was unsuccessful.