Disastrous and distressing in so many ways, 2016 was also an encouraging start for [ART&CRITIQUE]. The network has grown exponentially, we introduced new regular and one-off events, we participated in the Antiuniversity Now! Festival and we were interviewed on Dissident Island Radio. We have a new Event Calendar and we’ve started a new Members & Contributors section, we have a new fast server and domain (artandcritique.uk), and we’re migrating the data. To support this work we have started collecting donations at our events and although we’re far from breaking even, the project is more sustainable. In 2017 we have plans for new regular events, exhibitions, workshops, courses, collaborations, participation in festivals and an alternative art education co-op. Thanks to everyone who has contributed, participated and supported this project. If you’re interested in participating, contributing or collaborating please come to one of our events get in touch. Looking forward to see you in 2017!
[SYMPOSIUM] O’Sullivan: The Aesthetics of Affect Friday, 13 January 2017, 18:00 – 20:30
V22 Louise House, Dartmouth Rd, London SE23 3HZ Free, please book your place
For our first event in 2017 we’re heading to Forest Hill to discuss Simon O’Sullivan‘s 2001 essay The Aesthetics of Affect: Thinking Art Beyond Representation with Katie Tysoe.
[COURSE] Critical Theory in Contemporary Art Practice 12 Jan – 16 Mar 2017, Thursdays 6pm-8:30pm
Chelsea College of Arts, 16 John Islip Street, London SW1P 4JU This intensive course provides an encompassing introduction to key discourses that inform the production and interpretation of contemporary art, a supportive environment to articulate your practice, and a critical framework to exchange ideas on art production, exhibition & reception.
[ANNOUNCEMENTS & OPPORTUNITIES]
The list of deadlines, announcements and opportunities is absolutely brimming this month. Please check back because the list is updated regularly. To post open calls, opportunities or vacancies on this list please send us the details.
Wassily Kandinsky  Circles in a Circle. Oil on canvas, 98.7 x 96.6 cm. Ward Shelley  Who Invented the Avant Garde, ver. 2. Oil and toner on mylar, 28.5 x 62.5 inches.