Tag Archives: alternative art education

Something for Everybody

Many thanks to everyone who came along to our events in February. We’re thrilled to welcome Eva Ruschkowski as the new Symposium book club coordinator. A very special to thanks to her for facilitating the book club on Claire Bishop’s Artificial Hells last month.

This Friday, 8 March, 7-9pm we’re discussing the chapter on Easter Island in Jared Diamond’s book Collapse: How Societies Choose to Fail or Survive. This book club will be facilitated by Tere Chad and Alter Us. Please follow the links for more info, to download the text and book your place. If you would like to facilitate the book club in future please visit the page for more info and come along to get involved.

Many thanks to everyone who came along to the launch of the Radical Pedagogy Reading Group. It was great to hear about everyone’s practice and particular interest in radical pedagogy and alternative art education. There was such a diversity of perspectives and questions, we’re very excited at the prospect of collaborating and learning together. The next session will take place on 24 March, 2-4pm at the Alternative Art School Weekender, a three-day festival and art school organised by TOMA (The Other MA) at Ugly Duck from Fri to Sun, 22-24 March. We’ve put an excellent programme together, check out the website for more details and come along.

On Saturday, 23 March, 12-4pm we’re running a collaborative DIY workshop at the festival to collect ideas on How To Start Your Own Art School in a handy and entertaining guide. Come along with your tips, ideas, stories, anecdotes, advice and full-blown manifestos! We will use all kinds of techniques, including collage, drawing, calligraphy and cut up poetry to produce A6 zine (105mm x 148mm). Materials and tools will be provided but you are welcome to bring your own. If you can’t come along to the workshop you can send your readymade page beforehand to info@artandcritique.uk.

The art crawl is back this month, join us on the last Saturday to view and discuss three artists’ films from Mayfair to Fitzrovia with Eva Ruschkowski. For more details and to book your place please follow the links.

Looking forward to see you there.

[SYMPOSIUM]#34 Jared Diamond Collapse. Flyer by Tere Chad.[SYMPOSIUM] BOOK CLUB
Jared Diamond: Collapse. How Societies Choose to Fail or Survive

Friday, 8 March 2019, 7pm – 9pm
LARC, 62 Fieldgate Street, London E1 1ES
Facilitated by Alter Us
Suggested donation £2, booking via Eventbrite

Sophia Kosmaoglou [2017] Art Skool Co-op Poster_thumb[ART&CRITIQUE] WORKSHOP
How To Start Your Own Art School
Saturday, 23 March 2019, 12-4pm
Ugly Duck, 49 Tanner St, London SE1 3PL
Alternative Art School Weekender 22-24 March
All welcome

ART&CRITIQUE workshop, First Alternative Education Open-Day 2017. Photo School of the Damned(1)_thumb400_1[ART&CRITIQUE] RADICAL PEDAGOGY RESEARCH & READING GROUP
What is alternative art education?
Sunday, 24 March 2019, 2-4pm
Ugly Duck, 49 Tanner St, London SE1 3PL
Alternative Art School Weekender 22-24 March
All welcome

artcrawl#14_thumb[ART&CRITIQUE] ART CRAWL
Mayfair to Fitzrovia: Joy, Dance, Magic – Three Artist Films
Saturday, 30 March 2019, 13:45 – 17:00
Meet 13:45 at Lévy Gorvy, 22 Old Bond St, Mayfair, London W1S 4PY
Curated by Eva Ruschkowski
Free, booking via Eventbrite

Philip Guston [1973] Painting, Smoking, Eating. Oil on canvas, 196.8 x 262.9 cm.[OPPORTUNITIES & ANNOUNCEMENTS]
March 2018
The list of opportunities,
open calls, deadlines,
announcements & vacancies
is updated regularly.

IMAGE CREDITS
Flyer for SYMPOSIUM#34 Jared Diamond: Collapse, by Tere Chad.
Sophia Kosmaoglou [2017] Art Skool Co-op Poster.
Workshop, First Alternative Education Open-Day 2017. Photo by School of the Damned.
Flyer for ARTCRAWL#16 Mayfair to Fitzrovia, by Eva Ruskowski.
Philip Guston [1973] Painting, Smoking, Eating. Oil on canvas, 196.8 x 262.9 cm.

Radical Pedagogy Research & Reading Group (2019)

RPG_bannerRadical Pedagogy Research & Reading Group

Fuelled by economic crisis, austerity and the liberalisation of higher education, alternative art education has burgeoned into a full-blown movement in the last decade. But what is alternative art education? Who is it for and what is it alternative to? Continue reading Radical Pedagogy Research & Reading Group (2019)

Collaboration and Pedagogy

On Friday, 8 February 2019 we’re discussing the first chapter of Claire Bishop’s book Artificial Hells with Eva Ruschkowski. This book club is fully booked, please check the Eventbrite page on the day of the event for returns.

Interested in alternative art education? Want to help start an alternative art school? Send us your contributions for the Radical Pedagogy Research & Reading Group draft syllabus by Friday, 15 February 2019, final version to be determined collectively at the launch on Friday, 22 February 2019. Please see the event page for more details.

Jeremy Deller and Mike Figgis [2001] The Battle of Orgreave.[SYMPOSIUM] BOOK CLUB
Claire Bishop: Artificial Hells
Friday, 8 February, 7pm – 9pm
LARC, 62 Fieldgate Street, London E1 1ES
Facilitated by Eva Ruschkowski
Suggested donation £2, booking via Eventbrite

ART&CRITIQUE workshop, First Alternative Education Open-Day 2017. Photo School of the Damned.[ART&CRITIQUE] RADICAL PEDAGOGY RESEARCH & READING GROUP
Radical Pedagogy Reading Group Launch
Friday, 22 Feb 2019, 7pm – 9pm
LARC, 62 Fieldgate Street, London E1 1ES
Closest stations: Whitechapel / Aldgate East
Suggested donation £2, booking via Eventbrite

Philip Guston [1973] Painting, Smoking, Eating. Oil on canvas, 196.8 x 262.9 cm.[OPPORTUNITIES & ANNOUNCEMENTS]
February 2018
The list of opportunities, open calls, deadlines, announcements & vacancies is updated regularly.
If you would like to post your listing for open calls, opportunities or vacancies on the list please send us the details.

IMAGE CREDITS
Jeremy Deller and Mike Figgis [2001] The Battle of Orgreave (detail).
ART&CRITIQUE workshop, First Alternative Education Open-Day 2017. Photo by School of the Damned (detail).
Philip Guston [1973] Painting, Smoking, Eating. Oil on canvas, 196.8 x 262.9 cm.

The Big Other Looms

Many thanks to everyone who came along and contributed to our events in October! Thanks to all those who came to the candle-lit book club, with a very special thanks to Dee Vora and Penelope Kupfer for facilitating.

On Friday, 9 November Silvia Bombardini and Elliot Mason will be facilitating the third in a series of book clubs on Capitalist Realism by Mark Fisher, continuing with chapters 6-7 (pages 43-65) on bureaucracy, dreams and memory.

Many thanks to everyone who came along and contributed to our quarterly meeting. We have a new volunteer coordinator for the book club! The group will reconvene at 6:30pm on 11 January 2019 to set a new course and syllabus. Please add the date to your diaries and come along with your suggestions and reading proposals.

Also in January 2019 we will have the first meeting of the research and reading group on radical pedagogy, alternative art education and self-organisation. The broader aim of this group is to create a forum for the discussion of alternative art education, with the practical aim of creating a syllabus for an alternative studio programme. The first meeting will take place at 6:30pm on 25 January 2019 to determine the syllabus and structure of the reading group. Please come along and bring your proposals, suggestions, ideas and questions.

More details on these events will be published in December. The date of the next quarterly meeting has provisionally been set for 6:30pm on 22 Feb 2019 at Larc.

Please join us for a drink this Friday, 9 November after the book club to celebrate our third birthday.

[SYMPOSIUM]#31 Fisher Capitalist Realism Pt.3[SYMPOSIUM] BOOK CLUB
Mark Fisher: Capitalist Realism Pt.3
Friday, 9 November 2018, 6:30pm – 9pm
LARC, 62 Fieldgate Street, London E1 1ES
Facilitated by Silvia Bombardini & Elliot C. Mason
Suggested donation £2, booking via Eventbrite

critical theory in contemporary art practice_banner[ART&CRITIQUE] COURSE
Critical Theory in Contemporary Art Practice
10 January – 14 March 2019, 6pm–8:30pm
Chelsea College of Arts, 16 John Islip Street, London SW1P 4JU
Tutor Sophia Kosmaoglou
Booking via UAL

IMAGE CREDITS Nicolas Copernicus (1543) Heliocentrism. De revolutionibus Orbium coelestium, libri IV. Philip Guston [1973] Painting, Smoking, Eating. Oil on canvas, 196.8 x 262.9 cm.[OPPORTUNITIES & ANNOUNCEMENTS]
November 2018
The list of opportunities, open calls, deadlines, announcements & vacancies is updated regularly.
If you would like to post your listing for open calls, opportunities or vacancies on the list please send us the details.

IMAGE CREDITS
Elliot C. Mason [2018] Flyer for Symposium #31 Mark Fisher: Capitalist Realism Pt.3 (detail).

Philip Guston [1973] Painting, Smoking, Eating. Oil on canvas, 196.8 x 262.9 cm.

Heterotopias

Wade Guyton: Das New Yorker Atelier, Abridged. Sep 2017 - Feb 2018, Serpentine Gallery, London. Photo by Mandy Wong.
Wade Guyton: Das New Yorker Atelier, Abridged. Sep 2017 – Feb 2018, Serpentine Gallery, London. Photo by Mandy Wong.

We got the autumn season off to a great start last weekend! Thanks to Anca Baciu and Mandy Wong for curating, and to everyone who came along on the art crawl from Marylebone to South Kensington on Saturday. We started off with Allora & Calzadilla at the Lisson Gallery, where we wondered how the exhibition lives up to the political critique in the press release. Looking at Wade Guyton‘s work at the Serpentine, we wondered how the large-scale digital prints on stretched canvas or digital prints arranged in display cases are “pioneering painting techniques that explore the impact of digital technologies”. We more or less came to the conclusion that this could be justified by referencing the work’s engagement with formalist concerns such as flatness, surface, illusion etc. We got utterly exhausted by the V&A LGBTQ Tour, which was delivered with energy and enthusiasm. We unanimously applauded this excellent initiative, but were disappointed at the emphasis on anecdotal stories about celebrities.

First Alternative Education Open-Day. 1 October 2017, SET Space, London.
First Alternative Education Open-Day. 1 October 2017, SET, London.

Many thanks to School of the Damned for inviting is to the First Alternative Education Open Day! It was a privilege to be part of this excellent landmark event together with other alternative art schools. We covered a lot of ground in a relentless series of workshops, met new people, exchanged ideas, played games and had a great time. Many thanks to Maria Christoforatou for preparing and facilitating our workshop, we collected participant responses and we’re putting those together to share. In the meantime you can download the handout with A4 poster.

[SYMPOSIUM]#20. Flyer by Dasha Loyko.[SYMPOSIUM] BOOK CLUB
Foucault: Of Other Spaces
Sunday, 15 October 2017, 1:30pm – 4:00pm
Yurt Café, St. Katharine’s Precinct, 2 Butcher Row, London E14 8DS
Facilitated by Dasha Loyko
Free, booking via Eventbrite

Our next event is the book club on Michel Foucault’s essay Of Other Spaces, facilitated by Dasha Loyko and hosted at Unison, a former lifeboat turned project space by Anastasia Freygangto create a shifting pocket of inquiries”. We’re meeting at Yurt Café, located next to Limehouse station before we walk to the boat moored nearby. For more information, to download the text and book your place please visit the page.

Daniel Clowes [1991] End. Art School Confidential.[OPPORTUNITIES & ANNOUNCEMENTS]
OCTOBER 2017
The list of opportunities, open calls, deadlines, announcements & vacancies is updated regularly.
If you would like to post your listing for open calls, opportunities or vacancies on the list please use the contact form to send us the details.

IMAGE CREDITS
ART SKOOL CO-OP. Poster by Sophia Kosmaoglou.
[SYMPOSIUM] #20 Foucault: Of Other Spaces. Flyer by Dasha Loyko.
Daniel Clowes [1991] Art School Confidential. Eightball #7, Nov 1991.

Autumn Rituals

After a packed season of events and shared activities with alternative art schools we enjoyed the summer alright! Read the bulletin on our adventures and find out about some of the places and faces of the alternative art education movement.

Now we’re looking forward to autumn rituals, open days, book fairs, art affairs, bonfires and getting together with warm cups of tea to exchange ideas, make decisions and change the future of art education.

On Saturday, 30 September we’re joining Mandy Wong and Anca Baciu for a crawl from Marylebone to South Kensington. We’re looking forward to some interesting discussions when we visit exhibitions by Allora & Calzadilla at Lisson, Wade Guyton at the Serpentine, and wrap up with the V&A LGBTQ Tour.

On Sunday, 1 October we’re getting together for an exciting array of workshops at School of the Damned’s First 100% Official Unofficial Alternative Education Open-Day! If you want to come along, get involved or help out please see below for more details.

[ARTCRAWL]#13. Flyer by Mandy Wong.[ART&CRITIQUE] ART CRAWL
Marylebone to South Kensington
Saturday, 30 September 2017, 1:45pm – 5pm
Meet 1:45pm at Lisson Gallery 27 Bell Street London NW15BY
Curated by Anca Baciu and Mandy Wong
All welcome, booking not required

FIRST 100% OFFICIAL UNOFFICIAL ALTERNATIVE EDUCATION OPEN-DAY[ART&CRITIQUE] WORKSHOP
School of the Damned’s
First Official Unofficial Alternative Education Open-Day
Sunday, 1 October 2017, 1pm-6pm
Set Space, 76-89 Alscot Road, London SE1 3AW
Booking via Eventbrite

We’re contributing to School of the Damned’s Open Day with a participatory workshop on alternative art education and we need your help! If you want to come along, get involved or help out please get in touch by responding to this email or just meet us at Set Space on 1 October at 11am. This is a 30 minute workshop, scheduled to start at 1pm.

Daniel Clowes [1991] End. Art School Confidential.[OPPORTUNITIES & ANNOUNCEMENTS]
SEPTEMBER 2017
The list of opportunities, open calls, deadlines, announcements & vacancies is updated regularly.
If you would like to post your listing for open calls, opportunities or vacancies on the list please use the contact form to send us the details.

IMAGE CREDITS
[ARTCRAWL] #13 Marylebone to South Kensington. Flyer by Mandy Wong.
Sean Roy Parker [2017] HOW TO SELF-ORGANISE.
Daniel Clowes [1991] Art School Confidential. Eightball #7, Nov 1991.

Alternative Art Schools

Louise Ashcroft [2017] All My Lives. Arebyte LASER, 17 July 2017.
Louise Ashcroft [2017] All My Lives. Arebyte LASER, 17 July 2017.

July was a busy month, we had several meetings and got together with alternative art schools to ignite a discussion on cooperation and exchange ideas on the future of education in the arts.

On Friday, 14 July we got together for an open meeting and workshop on self-organisation. We shared ideas and decided to follow-up with a series of workshops to address new questions that came up, to consider the part that self-organisation plays in alternative art education, and to address our own cooperative practices.

Sneak preview of 100% Southend, Twenty One, Southend-on-Sea. Photo Cristina Sousa-Martínez.
Sneak preview of 100% Southend, Twenty One, Southend-on-Sea. Photo Cristina Sousa-Martínez.

On Monday, 17 July it was great to catch up with members of AltMFA and  to hear all about their future plans at Louise Ashcroft’s exhibition All My Lives at Arebyte Laser.

Maximum Overdrive, 20 May - 10 Sep 2017. Focal Point Gallery, Southend-on-Sea.
Maximum Overdrive, 20 May – 10 Sep 2017. Focal Point Gallery, Southend-on-Sea.

On Sunday, 23 July we headed to Southend where were greeted by Tricia North and Michaela Bannon, two members of the first cohort of The Other MA (TOMA), a 12-month alternative art education model based at Metal Art School.  Hot on their heels was Emma Edmondson, founder and coordinator of TOMA, and we set off for an absolutely epic tour from Southend-on-Sea to Leigh-on-Sea.

Our first stop was the Railway Hotel, where we were joined by Simon Cole down from London on a different route. After catching up over vegan lunch and a drink we headed towards the seafront for a sneak preview of Twenty One, a brand new venue in Southend. We caught the installation of 100% Southend, an open access exhibition for the launch of the new space. We circled back through town to Focal Point Gallery to see the group exhibition Maximum Overdrive and Big Screen Southend, an open access rolling submission public screen. Follow the link to find out how to submit your work.

Emma Edmondson at Metal Art School, Southend-on-Sea.
Emma Edmondson at Metal Art School, Southend-on-Sea.

We passed the ostentatious University of Essex student accommodation building, the monumental VAT building, the Beecroft Art Gallery and enormous developments on the way to the Old Waterworks, an independent, artist-led space. We saw the artists’ studios, darkroom, printmaking facilities and Alison Lloyd’s exhibition Act 1 – 1 Act – Walking the Gallery, Closed – Walking Birchen Hat.

Richard Baxter's studio Old Leigh Studios, Leigh-on-Sea.
Richard Baxter’s studio Old Leigh Studios, Leigh-on-Sea.

Then we headed through streets of terraced houses to West Road Tap for a drink and chat about alternative art education and coops. We set off along London Road to Chalkwell Park, home of TOMA and Metal Art School. Emma gave us a tour of the studio spaces, the exhibition and meeting spaces, the cosy living quarters and work spaces with excellent views of the Thames estuary. Visit the website for more information on Time and Space Residencies at Metal, the next deadline is on 30 September 2017.

After bidding farewell to Metal and the beautiful park we got caught in a downpour which let up as soon as we got to Chalkwell station. The sun and tide were both out by the time we arrived Leigh-on-Sea where TOMA artist Richard Baxter’s studio is located. Richard told us about the boat-building history of the studio, he showed us his work and we talked about reading groups, practice, theory and choices in alternative art education.

Still somewhat damp from the storm we piled into the Mayflower to recount the the day over calamari and beer. We eventually had to run for the train back to London because we got carried away with the view of the moody estuary. For more images please see the album on our Facebook page. Thank you TOMA for a fantastic day!

Renata Minoldo [2017] Freehand embroidery. School of the Damned's Common Room, Guest Projects, 22-29 July 2017.
Renata Minoldo [2017] Freehand embroidery. School of the Damned’s Common Room, Guest Projects, 22-29 July 2017.
Sean Roy Parker [2017] Recycled pressings, work-in-progress. School of the Damned's Common Room, Guest Projects, 22-29 July 2017.
Sean Roy Parker [2017] Recycled pressings, work-in-progress. School of the Damned’s Common Room, Guest Projects, 22-29 July 2017.
School of the Damned [2017] Common Room, a public programme of free events. Guest Projects, 22-29 July 2017.
School of the Damned [2017] Common Room, a public programme of free events. Guest Projects, 22-29 July 2017.

On Monday, 24 July we had a special edition of the book club at School of The Damned‘s (SOTD) Common Room, a week-long public programme of free educational workshops, talks and participatory events at Guest Projects, 22-29 July 2017.

SOTD is an alternative contemporary art postgraduate course based in the UK. The school runs a labour exchange economy based, offering a series of skills hour-for-hour in return for guests’ time, venues workshop provision, etc.

For the book club, Renata Minoldo prepared and chaired a discussion on Pedagogical Projects: How do you bring a classroom to life as if it were a work of art? An essay from Claire Bishop’s 2012 book Artifical Hells on pedagogical participatory art projects.

The discussion was entirely unrestrained, we meandered beyond territories relevant to the text in several interesting directions, focusing mainly on pedagogical practice and ethics. We might benefit from a return to the text or a closer look at concepts such as Foucault’s notion of parrhesia (the obligation to speak openly), Adorno’s concept of autonomy and Guattari’s ethico-aesthetic paradigm and transversality in the context of art and education.

We were excited to meet several members of the SOTD class of 2018, aka Year of the Rooster before the book club, and to talk about their work. Sean Roy Parker ran a Wildflower and Floristry walk on the previous day and was busy  reconfiguring his collection of found objects  into new ensembles. We were sorry to miss the discussion on Self-organisation, Access and Sharing on the previous day and we heard all about the fascinating workshop Thinking with Water: Pooling resources, research and ideas with Emily Wooley.

We viewed the beautiful display of work  from Renata’s Freehand Embroidery Technique workshop from the previous day. Renata combines costume design, visual art and art education in her practice, she is interested in pedagogy, communities, education, interdisciplinarity and participatory art, both as member of SOTD’s class of 2018 and in the context of her art practice. She has compiled the School of the Damned Open Library, which focuses primarily on alternative art education.

Thanks to SOTD, Renata Minoldo and everyone who joined this riveting discussion on art, participation and pedagogy. It was a pleasure to be part of this exciting programme of events and to enjoy the positive energy of this friendly, cooperative and creative environment. The fallen fruit crumble was delicious.

Alternative art education & co-operation

On Friday, 12 May 2017 we have an [OPENMEETING] to lay the foundations of a new alternative art school, coordinate future projects and institute collective ways of working at [ART&CRITIQUE]. If you’d like to get involved you’re welcome to join us!

The [BOOKCLUB] is back on Friday, 9 June 2017 at at Tropics Café in Elephant & Castle with The Dismeasure of Art, an interview with Paolo Virno (2009). This discussion will be chaired by Rubén Salgado Perez.

On Saturday, 10 June 2017, join us for an all day [STUDIOCRIT] at Thames-Side Studios in Woolwich to discuss the work of conceptual artist Rachel Ara and cross-disciplinary artist & curator Laura Hudson.

Our trip to Documenta 14 in late June has been postponed till September due to various setbacks. Please get in touch if you’d like to come along or help co-ordinate the trip.

Chartist Meeting on Kennington Common, 10 April 1848. Photo by William Kilburn[ART&CRITIQUE] OPEN MEETING
Alternative Art Education, Co-operation & Co-ordination
Friday, 12 May 2017
6:30-8:30pm
Arch 213, Ponsford Street, London E9 6JU
Free, booking not required

Kinki Club, Bologna. Photo courtesy Graziella Ronchi for Spaghetti Disco - Creare Spazio Alle Memorie 1975-85, Red Gallery, London, Oct 2016, curated by Lorenzo Cibrario[SYMPOSIUM] BOOK CLUB
Virno: The Dismeasure of Art
Friday, 9 June 2017, 18:00 – 20:30
Tropics Café, Grow Elephant, New Kent Road, London  SE17 1SL
Chaired by Rubén Salgado Perez
Free, please book your place

[STUDIOCRIT]#5-thumb[ART&CRITIQUE] STUDIO CRIT
Sharing Diverse Practices on Common Ground
Laura Hudson & Rachel Ara
Saturday, 10 June 2017, 10:30–17:30
Education Space, Thames-Side Studios, Harrington Way, London SE18 5NR
Free, please book your place

Gabriel Cornelius von Max [1889] Monkeys as Judges of Art (detail)[OPPORTUNITIES & ANNOUNCEMENTS]
MAY 2017
The list of opportunities, open calls, deadlines, announcements & vacancies is updated regularly.
If you would like to post your listing for open calls, opportunities or vacancies on the list please use the contact form to send us the details.

IMAGE CREDITS
Great Chartist Meeting on Kennington Common, 10 April 1848 (detail). Photo by William Kilburn.
Kinki Club, Bologna. Photo Graziella Ronchi for Spaghetti Disco, Red Gallery, London, Oct 2016.
Poster for Sharing Diverse Practices on Common Ground, 10 June 2017 (detail), by Rachel Ara.
Gabriel Cornelius von Max [1889] Monkeys as Judges of Art (detail). Oil on canvas, 85 × 107 cm.

ART&CRITIQUE (2015-2019)

ART&CRITIQUE (2015-2019)

ART&CRITIQUE was a peer-led alternative art education network dedicated to critical engagement with art practice, theory and research. It was founded in November 2015 and based at The Field and LARC. We employed collaborative, co-operative and collective models of pedagogy and organisation and fostered alternative models of art education in a series of public events. Continue reading ART&CRITIQUE (2015-2019)

STUDIO CRITIQUE

STUDIO CRITIQUE

The STUDIO CRIT was an opportunity for artists, curators, designers, film-makers and other producers to present their work to an audience of peers for discussion and feedback. These events were free and open to everyone. Please scroll down for the guidelines and event archive.
Continue reading STUDIO CRITIQUE

ART CRAWL

ART CRAWL

The art crawl was a series of tours organised by ART&CRITIQUE, on the last Saturday of the month we would head out to visit exhibitions and have a critical discussion on route. The itineraries were curated by members and contributors, supported with tools and guides available in the infosheet.

Mayfair to Fitzrovia: Joy, Dance, Magic – Three Artist Films

Saturday, 30 March 2019, 13:45 – 17:00
Meet 13:45 at Lévy Gorvy, 22 Old Bond St, Mayfair, London W1S 4PY
Curated by Eva Ruschkowski
Free, booking via Eventbrite

artcrawl#14Join us for a stroll from Mayfair to Fitzrovia to visit three galleries showing video works by Agnes Martin, Geta Brătescu and Rachel Rose. The Art & Critique Art Crawls are excursions that offer the opportunity to explore, articulate thoughts and critically discuss exhibitions in a group.

We will meet at 13:45 at Lévy Gorvy Gallery to begin our journey with Martin’s film ‘Gabriel’ (1976). We follow a fourteen-year-old boy, the protagonist of the film, on his leisurely meander through a rural landscape to take part in his innocent exploration of natural beauty. “[The movie] turned out to be about joy – the same thing my paintings are about” the artist states. By contrasting Martin’s film with her serene geometric experimentation on canvas which she mainly is known for, Lévy Gorvy allow a deeper insight into the artist’s work and, as the gallery proposes, to “linger in the pensive calm that Martin’s art, regardless of its medium, so exquisitely conveys.”

A similar juxtaposition of still and moving images will greet us at Hauser and Wirth, our second stop, which is showing a group of works Geta Brătescu made over the last decade. Richly informed by literature and mythology, Brătescu untiringly explores her fascination for drawing, composition and line. ‘When I draw, I can say that my hand dances’. Hauser and Wirth put her drawings and collages in conversation with two films ‘Linia (The Line)’ (2014) and ‘The Gesture, The Drawing’ (2018), which were created in collaboration with Ștefan Sava and give an intimate insight into Brătescu’s studio practice and creative thinking process.

We will round out our walk at Pilar Corrias with Rachel Rose’s atmospheric film set in 1500s rural England. ‘Wil-o-Wisp’ (2018) tells the story of Elspeth Blake, which was inspired by the fate of healers who practised in the time of the Enclosure Movement. Rose draws us in the realm of magic at the same time examining the drastic historical shift and its consequences caused by the privatisation of communal land.

ITINERARY MAP
13.45 FOCUS: Agnes Martin Lévy Gorvy, 22 Old Bond St, Mayfair, London W1S 4PY
15.00 Geta Brătescu Hauser & Wirth, 23 Savile Row, Mayfair, London W1S 2ET
16.00 Rachel Rose: Wil-o-Wisp Pilar Corrias, 54 Eastcastle St, Fitzrovia, London W1W 8EF

#13 Marylebone to South Kensington

Saturday, 30 September 2017, 13:45-17:00
Meet 13:45 at Lisson Gallery 27 Bell Street London NW15BY
Curated by Anca Baciu and Mandy Wong  

All welcome, booking not required

[ARTCRAWL] #13. Flyer by Many Wong.
[ARTCRAWL] #13. Flyer by Many Wong.

In September we’re meeting at Lisson Gallery to see an exhibition by Allora & Calzadilla and then walking through the park to the Serpentine Gallery to view an exhibition by Wade Guyton, ending the crawl with the LGBTQ Tour to explore gender and sexual identities in the Victoria & Albert Museum collection. Free, everyone welcome. No need to book, just join us at 2pm or along the way. Please see below for the itinerary and a map of the route.

ITINERARY MAP
13:45 Allora & Calzadilla: Foreign in a Domestic Sense Lisson Gallery 27 Bell Street London NW15BY
15:00 Wade Guyton: Das New Yorker Atelier, Abridged Serpentine Gallery Kensington Gardens London W2 3XA
16:00 LGBTQ Tour Victoria & Albert Museum Cromwell Road London SW72RL (meet at Grand Entrance)

#12 Visit to TOMA in Southend-on-Sea

23 July 2017, 12:20-18:00
Meet 12:20pm at Southend Central Station, Southend-on-Sea SS1 1AB
Curated by Emma Edmondson

All welcome, please book your place

The Other MA (TOMA)

In July we’ve been invited on an excursion to visit The Other MA (TOMA), a 12-month alternative art education model based at Metal Art School in Southend-on-Sea. Join us for a walking tour across the cultural landscape of Southend-on-Sea with the expert guidance of Emma Edmondson, founder and coordinator of TOMA. We will visit Focal Point Gallery and The Old Waterworks, Metal Culture – home of Metal Art School and TOMA – culminating the tour at TOMA artists’ studios. 

The suggested travel route to Southend Central is via the C2C line from London Fenchurch Street, Limehouse, West Ham or Barking. A C2C train service departs from Fenchurch Street at 11:04am and arrives 12:18pm at Southend Central. Please purchase your ticket to Southend Central as we will be hopping on and off the train all day. The ticket will allow you to do this.

NB. We will be doing much walking in between destinations! Please get in touch if you have access concerns.

ITINERARY MAP
12:20 Meet at Southend Central Station, Southend-on-Sea SS1 1AB
12:30 Have lunch in the Railway pub  (best vegan food in town)
13:30 Head to Focal Point Gallery to see Maximum Overdrive
15:00 Catch the train to Westcliff-on-Sea station, half hour walk and head to The Old Waterworks for Alison Loyd’s show
16:00 Catch the train from Westcliff station to Chalkwell Park to see the home of TOMA and Metal, Chalkwell Avenue, Southend on Sea SS0 8NB
17:00 Walk to TOMA artist Richard Baxter’s pottery studio (TBC)
18:00 Grab a drink in the multitude of pubs on the seafront and take in the Estuary views!

#11 Hampstead to Finsbury Park (via Mayfair)

Saturday, 24 June 2017, 14:00 -17:00
Starts 2pm at Freud Museum 20 Maresfield Gardens, Hampstead London NW3 5SX
Curated by Sophia Kosmaoglou
Free, booking not required

[ARTCRAWL] #11In June we’re venturing on an ambitious tour of London and taking public transport to see exhibitions at the Freud Museum and Furtherfield – venues that are off the beaten path. On the way we will stop at Thomas Dane in Mayfair. Below is a map of the route and a schedule with links to further information on the exhibitions. We will take the Jubilee line from the Freud Museum to Thomas Dane, and the Victoria line from there to Finsbury Park.

Please note that entry to the Freud Museum is £8 for adults, free for children under 12, £6 for senior citizens, £4 for students, unemployed, National Trust Members & National Art Pass Members. More details here.

SCHEDULE MAP
14:00 The Best Possible School: Anna Freud, Dorothy Tiffany Burlingham & the Hietzing School in 1920s Vienna. Freud Museum 20 Maresfield Gardens, Hampstead London NW3 5SX
15:15 Paul Pfeiffer. Thomas Dane 11 Duke Street, St James’s London SW1Y 6BN
16:15 NEW WORLD ORDER. Furtherfield Gallery McKenzie Pavilion, Finsbury Park London N4 2NQ

#10 Mayfair to Fitzrovia

Saturday, 28 January 2017, 14:00 -17:00
Curated by Cristina Sousa Martínez
Free, booking not required

[ARTCRAWL]#10web

On Saturday 28 January we’re meeting 2pm at Sophia Contemporary to see the exhibition Recipe for a Poem by Azadeh Razaghdoost. Then we will head to Hamilton’s Cafe to listen to Transitivity of Implication by Daniel Toca at the Museum of Portable Sound, please bring your headphones! We will wrap up with a visit to Carroll / Fletcher for the group exhibition United We Stand. Below is the schedule with links to exhibition details and a map of the route.

SCHEDULE MAP
14:00 Azadeh Razaghdoost Sophia Contemporary, 11 Grosvenor St, London W1K 4QB
15:00 Daniel Toca, Museum of Portable Sound Hamilton’s Café, 49 Maddox St, London W1S 2PQ
16:00 United We Stand Carroll / Fletcher, 56-57 Eastcastle St, London W1W 8EQ

#9 Hampstead to Camden Town (via Chalk farm)

Saturday 26 November 2016, 14:00 – 17:00
Curated by Katy Green
Free, booking not required

[ARTCRAWL] #9web

On Saturday, 26 November we’re meeting 2pm at Camden Arts Centre to see and exhibition of Bonnie Camplin‘s work. Then we will head to Zabludowicz Collection for the exhibition Basement Odyssey by Willem Weisman. Our final stop will be the group show Streams of Warm Impermanence with artists who work with Networked-Flesh at David Roberts Art Foundation. Please see below for the schedule and a map of the route.

SCHEDULE MAP
14:00 Bonnie Camplin Camden Arts Centre, Arkwright Road, London NW3 6DG
15:00 Willem Weisman Zabludowicz Collection, 176 Prince of Wales, Road London NW5 3PT
16:00 Streams of Warm Impermanence DRAF, Symes Mews, London NW1 7JE

#8 Camberwell to Peckham

Saturday 29 October 2016, 14:00-17:00
Free, booking not required

[GALLERYCRAWL] #8

On Saturday 29 October we’re heading south and meeting 2pm at the South London Gallery to see The Source of Art is in the Life of a People by Roman Ondak, followed by a stop at Arcadia Missa to see Amalia Ulman’s solo Labour Dance, ending at South Kiosk to see And the Earth Screamed, Alive, a multi screen 16mm installation by Emma Charles. Please see below for the schedule with links to exhibition details and a map of the route. Everyone welcome.

SCHEDULE MAP
14:00
Roman Ondak South London Gallery 65-67 Peckham Road London SE5 8UH
15:15 Amalia Ulman Arcadia Missa Unit 6 Bellenden Road Business Centre London SE15 4RF
16:15 Emma Charles  South Kiosk Unit B1.1 Bussey Building 133 Rye Lane SE15 3SN

#7 Mayfair to St James (via Soho)

Saturday 24 September 2016, 14:00-17:00
Free, booking not required

[GALLERYCRAWL] #7web

On Saturday 24 September we’re meeting at Timothy Taylor to see Shez Dawood’s solo, followed by Mike Kelley’s 1999 installation Framed and Frame at Hauser & Wirth and Uri Aran’s controversial show at Sadie Coles, ending with the Jannis Kounellis retrospective at White Cube. We’re spoiled for choice this month so we’ve crammed four exhibitions into this one. See below for the schedule with links to exhibition details and a map of the route.

SCHEDULE MAP
14:00
Shezad Dawood: Kalimpong Timothy Taylor 15 Carlos Place London W1K 2EX
14:45 Mike Kelley: Framed and Frame Hauser & Wirth 23 Savile Row London W1S 2ET
15:30 Uri Aran: Two Things About Suffering Sadie Coles 62 Kingly Street London W1B 5QN
16:15 Jannis Kounellis White Cube 25 – 26 Mason’s Yard London SW1Y 6BU

#6 Mayfair to Fitzrovia

Saturday 30 July 2016, 14:00-17:00
Free, booking not required

[GALLERYCRAWL] #6

On Saturday 30 July we’re meeting at at Simon Lee Gallery to see the work of Bas Jan Ader who disappeared at sea in 1975. We will then head north to see the work of Felix Gonzalez-Torres curated by Julie Ault and Roni Horn at Hauser & Wirth. Our final stop will be at Carroll/Fletcher to see Abuse Standards Violations by Eva and Franco Mattes. Please see below for the schedule with links to exhibition details and a map of the route.

SCHEDULE MAP
14:00
Bas Jan Ader Simon Lee Gallery 12 Berkeley Street London W1J 8DT
15:00 Felix Gonzalez-Torres Hauser & Wirth 23 Savile Row London W1S 2ET
16:15 Eva and Franco Mattes Carroll/Fletcher 56-57 Eastcastle St London W1W 8EQ

#5 Hackney to Shoreditch

Saturday 25 June 2016, 14:00-17:00
Curated by Dasha Loyko
Free, booking not required

[GALLERYCRAWL] #5 webflyer

On Saturday 25 June we will meet at The Residence Gallery to see Info Pura, a group exhibition on knowledge, information and experience. Next we will visit Salon des Refuses at SPACE to see the work of Dasha Loyko and other artists rejected from the Royal Academy summer exhibition. Last stop is Blood For Light by Nastivicious at Waterside Contemporary. Please see below for the schedule with links to exhibition details and a map of the route.

SCHEDULE MAP
14:00 
Info Pura Residence Gallery 229 Victoria Park Road London E9 7HD
15:00 Salon des Refuses SPACE 129-131 Mare Street London E8 3RH
16:15 Nastivicious Blood For Light Waterside Contemporary 2 Clunbury St N1 6TT

#4 Hackney to Shoreditch

Saturday 4 June 2016, 14:00-17:00
Curated by Penelope Kupfer
Free, booking not required

[GALLERYTOUR] #4 webflyer

On Saturday 4 June we will meet at Cambridge Heath Station and set off for Vilma Gold to see the work of Oliver Stone and Luther Price. Next we will make our way to Espacio Gallery for a group exhibition titled Organism, featuring the work of Penelope Kupfer among an illustrious list of artists. Last stop is Paulo Nimer‘s solo show at Maureen Paley. See below for the schedule and map of the route with links to exhibition details. Free, no need to book.

SCHEDULE MAP
14:00
Cambridge Heath Station Hackney, London E2 9EG
14:15 Oliver Stone & Luther Price Vilma Gold 6 Minerva St, London E2 9EH
15:15 Organism Espacio Gallery 159 Bethnal Green Road London E2 7DG
16:15 Paulo Nimer Maureen Paley 21 Herald Street London E2 6JT

#3 Hyde Park to Shadwell

Saturday 14 May 2016, 14:00-18:00
Curated by Penelope Kupfer
Free, booking not required

[GALLERYTOUR] #3 webflyer

On Saturday, 14 May 2016 we will meet at the Serpentine Gallery at 2pm to view Hilma af Klimt: Painting the Unseen and then make our way to the Sackler Gallery to view of the exhibition by DAS INSTITUT. Then we will head to the Rum Factory near Shadwell DLR station to see the work of Richard Burger. See below for the schedule and map of the route with links to exhibition details. Free, no need to book, just join us at 2pm. Latecomers can join us along the way.

SCHEDULE MAP
14:00
Serpentine Gallery Kensington Gardens, London W2 3XA
14:15 Hilma af Klint Serpentine Gallery, Kensington Gardens, London W2 3XA
15:00 DAS INSTITUT Serpentine Sackler Gallery, W Carriage Dr, London W2 2AR
16:00 Lancaster Gate Tube Station Central Line to Bank, then DLR to Shadwell
17:00 Open Studios 2016 Rum Factory, Bow Arts, Unit 4, Pennington Street, E1W 2BD

#2 Whitechapel to Liverpool Street

Saturday 30 April 2016, 14:00-17:00
Free, booking not required

[GALLERYTOUR] #2 web-flier

On Saturday, 30 April 2016 we will meet at the bookshop inside the Whitechapel Gallery at 2pm to view Harun Farocki‘s video installation Parallel I-IV and  the archival exhibition Imprint 93 with prints by young British artists of the 1990s. Then we will head to Raven Row near Liverpool Street to see the work of Channa Horwitz. Please see below for the schedule and a map of the route. Free event, no need to book. Latecomers can join us along the way.

SCHEDULE MAP
14:00
Whitechapel Gallery 77-82 Whitechapel High St. London E1 7QX
14:15 Harun Farocki Parallel I-IV Whitechapel Gallery
15:00 Imprint 93 Whitechapel Gallery
16:00 Channa Horwitz Raven Row 56 Artillery Lane London E1 7LS

#1 Hoxton to Mile End

Saturday 19 March 2016, 14:00-17:00
Free, booking not required

[GALLERYTOUR] #1 web-flier

On Saturday, 19 March 2016 we will meet at Hoxton Rail Station at 2pm. From there we will walk to xero, kline & coma to see Under the Shade I Flourish by Chris Alton. Heading east we will stop at Cell Project Space to see Ian Ball ‘s Praseodymium Intracrine Signal Aggregate and and we will end the tour with Park McArthur‘s Poly at Chisenhale Gallery. Please see below for the schedule and a map of the route. Free event, no need to book, just join us at 2pm. Latecomers can join us along the way.

SCHEDULE MAP
14:00
Hoxton Rail Station Geffrye Street, London E2 8EA
14:15 Chris Alton: Under the Shade I Flourish xero, kline & coma, 258 Hackney Road, London E2 7SJ
15:15 Iain Ball  Cell Project Space, 258 Cambridge Heath Road, London E2 9DA
16:15 Park McArthur: Poly Chisenhale Gallery, 64 Chisenhale Road, London E3 5QZ

ALTERNATIVE ART EDUCATION

ALTERNATIVE (ART) SCHOOLS & NETWORKS

Overview of alternative art schools, free schools, projects, support networks and vanguards of the alternative education movement. Originally compiled as part of a collaborative research project by ART&CRITIQUE, with contributions from Laura Hudson, Katie Tysoe and Johanna Kwiat. This is a ongoing research project and the page will be updated regularly. Please get in touch if you are associated with a school, project or network that is not on this list, or if you want to amend or expand the entry. Continue reading ALTERNATIVE ART EDUCATION

ALTERNATIVE (ART) EDUCATION & RADICAL PEDAGOGY

ALTERNATIVE (ART) EDUCATION & RADICAL PEDAGOGY

For more titles on alternative art education see School of the Damned‘s online Open Library, Antiuniversity Now‘s collaborative public reading list on radical education and anarchist pedagogy (where you can add your own suggestions), and Evening Class‘s themed are.na resource sharing and bookmarking channel. Continue reading ALTERNATIVE (ART) EDUCATION & RADICAL PEDAGOGY

[SYMPOSIUM] BOOK CLUB

[SYMPOSIUM] BOOK CLUB

The SYMPOSIUM book club was a monthly open-access reading group for artists, researchers and anyone interested in the intersections between art practice and critical theory. Everyone was welcome to propose a text and facilitate the reading group. Continue reading [SYMPOSIUM] BOOK CLUB

Critical Theory in Contemporary Art Practice

critical theory in contemporary art practice_banner

Critical Theory in Contemporary Art Practice

This course maps the theories and discourses that inform the production and reception of contemporary art, providing a supportive environment to develop your practice and articulate your ideas on the production, exhibition and interpretation of art. Continue reading Critical Theory in Contemporary Art Practice

CTHEORY BIBLIOGRAPHY

CTHEORY BIBLIOGRAPHY

A comprehensive bibliography for the Critical Theory in Contemporary Art Practice lecture and seminar series. You can use it as a further reading list or to locate references that are not in the handouts. Please click the headings for a drop-down list. Continue reading CTHEORY BIBLIOGRAPHY