Friday, 12 October 2018, 18:30–21:00 LARC, 62 Fieldgate Street, London E1 1ES
Closest stations: Whitechapel / Aldgate East
Facilitated by Penelope Kupfer & Darshana Vora Suggested donation £2, booking via Eventbrite
In October we’re joining Penelope Kupfer and Darshana Vora to discuss The Culmination of Separation (or Separation Perfected), the first chapter of Guy Debord’s Society of the Spectacle, first published in 1967. Continue reading Debord: The Culmination of Separation→
We’re taking a break in August but we’re back on on Saturday, 29 September for the second installment of the Deptford Art & Gentrification Walk. Meet us at 1pm inside Deptford Railway Station for an afternoon of discussions on the relationship between art and gentrification.
The Critical Theory in Contemporary Art Practice Bursary is a fee-waiver awarded to one applicant who will benefit most from participating in the course, regardless of previous experience, background or education. To apply please download the application form and return it by Monday, 3 September 2018.
Have a great summer!
UPCOMING EVENTS
[ART&CRITIQUE] BURSARY Critical Theory in Contemporary Art Practice
DEADLINE Monday, 3 September 2018
Deptford Lounge, 9 Giffin Street, London SE8 4RJ
Tutor Sophia Kosmaoglou Please click the link for more info
[ART&CRITIQUE] ART CRAWL Deptford Art & Gentrification Walk Pt. 2 Saturday, 29 September 2018, 13:00 -18:00
Meet 1pm inside Deptford Railway Station, London SE8 3NU
Curated by Sophia Kosmaoglou and Paul Clayton All welcome, booking not required
[ART&CRITIQUE] COURSE Critical Theory in Contemporary Art Practice 8 Oct–3 Dec 2018, 6:30pm-9pm & 27 Oct 2:30pm-5pm
Deptford Lounge, 9 Giffin Street, London SE8 4RJ
Tutor Sophia Kosmaoglou Booking via Eventbrite
[OPPORTUNITIES & ANNOUNCEMENTS] August 2018
The list of opportunities, open calls, deadlines, announcements & vacancies is updated regularly.
If you would like to post your listing for open calls, opportunities or vacancies on the list please send us the details.
IMAGE CREDITS UK Commons Assembly, organised by Public Works and Commons Rising. Tate Modern, Jul 2018. Photo Darshana Vora. Patrick Mimran [2004] Billboard Project, New York. Photo Sophia Kosmaoglou. Robert Mapplethorpe [1988] Sepia Orchid from the series Flowers. Toned photogravure, 50 x 51 cm. Stanford’s Library Map of London & its Suburbs 1864, showing proposed Metropolitan Railways (detail). Philip Guston [1973] Painting, Smoking, Eating. Oil on canvas, 196.8 x 262.9 cm.
In May we’re discussing Signature Event Context, Jacques Derrida’s essay on John Austin’s speech act theory. It was originally delivered at a conference on Communication in 1971 by the Congrès international des Sociétés de philosophie de langue francaise in Montreal and first published in Marges de la philosophie (Margins of Philosophy) in 1972. Continue reading Derrida: Signature Event Context→
Friday, 9 March 2018, 6:30pm-9pm The Field 385 Queen’s Rd London SE14 5HD Closest stations: New Cross Gate, Queens Road
Facilitated by Sophia Kosmaoglou Suggested donation £2, booking via Eventbrite
In March we’re back at The Field for the first in a series of book clubs on Capitalist Realism by Mark Fisher, starting with chapters 1-3 (pages 1-20). The book is 81 pages long and we can read it in 3-4 installments, something to decide at the end of the first session. The link below will take you to a PDF of the entire book. We will continue the series with chapters 4 & 5 on 11 May 2018, unless another proposal takes precedence. If you would like to facilitate any of the sessions please get in touch. Continue reading Fisher: Capitalist Realism Pt.1→
On Friday, 10 November we’re reading Theodor Adorno’s essay Commitment and discussing the autonomy of art with Nat Pimlott at LARC. Doors open at 6:30pm for tea on the ground floor, the book club will begin at 7pm on the top floor.
Booking is not required but please arrive early, doors will close when the book club starts or if we reach maximum capacity. When you arrive please ring the bell located to the left of the entrance. For more information and to download the text please visit the website.
See you there!
[SYMPOSIUM] BOOK CLUB Adorno: Commitment
Friday, 10 November 2017, 6:30pm-9pm
LARC, 62 Fieldgate Street, London E1 1ES
Facilitated by Nat Pimlott
Suggested donation £2
[OPPORTUNITIES & ANNOUNCEMENTS] NOVEMBER 2017
The list of opportunities, open calls, deadlines, announcements & vacancies is updated regularly.
If you would like to post your listing for open calls, opportunities or vacancies on the list please send us the details.
IMAGE CREDITS
[SYMPOSIUM] #21 Adorno: Commitment. Flyer by Nat Pimlott. Daniel Clowes [1991] Art School Confidential. Eightball #7, Nov 1991.
This book club will take place on Unison, a lifeboat-turned-project-space. We will meet at Yurt Café, located next to Limehouse station, between 1:30pm and 2pm and walk to the boat moored nearby. Continue reading Foucault: Of Other Spaces→
Our only event this month Deleuze & Guattari: Rhizome has generated a lot of interest. The event is fully booked and the waiting-list is closed. You are always welcome to make a proposal and chair the reading group on a text of your choice. We will support you through the entire process. Please visit the event page for more information and come to one of our events, to meet people and get a sense of how it works. The structure is simple and flexible. Alternatively, you can start your own reading group!
The [BOOKCLUB] is back again on Friday, 21 April with a discussion of Specific Objects, a 1965 essay by Donald Judd. This discussion will be chaired by Richard Burger.
[SYMPOSIUM] BOOK CLUB Deleuze & Guattari: Rhizome
Friday, 10 March 2017, 18:00 – 20:30
88 Fleet Street, London EC4Y 1DH
Chaired by Katie Tysoe and Sophia Kosmaoglou Free, fully booked
[SYMPOSIUM] BOOK CLUB Judd: Specific Objects
Friday, 21 April 2017, 18:00 – 20:30
88 Fleet Street, London EC4Y 1DH
Chaired by Richard Burger Free, please book your place
[ART&CRITIQUE] COURSE Critical Theory in Contemporary Art Practice
Thursdays, 20 April – 22 June 2017, 18:00 – 20:30
Chelsea College of Art UAL, 16 John Islip Street, London SW1P 4JU
Tutor Sophia Kosmaoglou Please see the course page for fees & booking info
IMAGE CREDITS Sylvano Bussoti [1980] XIV piano piece for David Tudor 4. In A Thousand Plateaus: Capitalism & Schizophrenia. New York: Continuum, p.3. Claes Oldenburg [1964] Soft Light Switches. Vinyl filled with Dacron and canvas, 119.4 x 119.4 x 9.1 cm. Ward Shelley [2008] Who Invented the Avant Garde, ver. 2. Oil and toner on mylar, 28.5 x 62.5 inches.
Disastrous and distressing in so many ways, 2016 was also an encouraging start for [ART&CRITIQUE]. The network has grown exponentially, we introduced new regular and one-off events, we participated in the Antiuniversity Now! Festival and we were interviewed on Dissident Island Radio. We have a new Event Calendar and we’ve started a new Members & Contributors section, we have a new fast server and domain (artandcritique.uk), and we’re migrating the data. To support this work we have started collecting donations at our events and although we’re far from breaking even, the project is more sustainable. In 2017 we have plans for new regular events, exhibitions, workshops, courses, collaborations, participation in festivals and an alternative art education co-op. Thanks to everyone who has contributed, participated and supported this project. If you’re interested in participating, contributing or collaborating please come to one of our events get in touch. Looking forward to see you in 2017!
[SYMPOSIUM] O’Sullivan: The Aesthetics of Affect Friday, 13 January 2017, 18:00 – 20:30
V22 Louise House, Dartmouth Rd, London SE23 3HZ Free, please book your place
For our first event in 2017 we’re heading to Forest Hill to discuss Simon O’Sullivan‘s 2001 essay The Aesthetics of Affect: Thinking Art Beyond Representation with Katie Tysoe.
[COURSE] Critical Theory in Contemporary Art Practice 12 Jan – 16 Mar 2017, Thursdays 6pm-8:30pm
Chelsea College of Arts, 16 John Islip Street, London SW1P 4JU This intensive course provides an encompassing introduction to key discourses that inform the production and interpretation of contemporary art, a supportive environment to articulate your practice, and a critical framework to exchange ideas on art production, exhibition & reception.
[ANNOUNCEMENTS & OPPORTUNITIES]
The list of deadlines, announcements and opportunities is absolutely brimming this month. Please check back because the list is updated regularly. To post open calls, opportunities or vacancies on this list please send us the details.
IMAGE CREDITS
Wassily Kandinsky [1923] Circles in a Circle. Oil on canvas, 98.7 x 96.6 cm. Ward Shelley [2008] Who Invented the Avant Garde, ver. 2. Oil and toner on mylar, 28.5 x 62.5 inches.
For our first event in December we’re heading to leafy Crystal Palace for a [STUDIOCRIT]. Join us this Saturday, 3 December to view the work of Johanna Kwiat and discuss Tampering, survival and the everyday. This event is free but due to limited capacity booking is essential. Continue reading Tampering & Similitudes→
In February’s [SYMPOSIUM] we discussed Roland Barthes’ influential essay The Death of the Author (1977). Many thanks to everyone for their contributions to a very productive event. It was great to see everyone again and to welcome some new faces. A special thanks to Henrietta Ross for leading, chairing and summarising the discussion.